RE: [-empyre-] Preservation: personal and institutional




While i agree with Tom's thoughts on meanings being shifted and mutated in the context of an archive, I think sometimes too much credence or attention is given to the collection or the archive as an artwork in and of itself. I'm thinking here of people like Jim Shaw's collection of thrift store paintings that when hung in a gallery is credited to him, or even Australian artist Brenda L Croft who in a recent exhibition collected slides her father (or his acquaintances) took during his travels that she found in a box after his death. But while she didn't take the photos, the images are credited to her as if in by assembling the collection she has somehow gained authorship over the works. I actually find this quite strange. It's an area i feel slightly uncomfortable about myself - presenting other people's "images" online and without permission, but certainly i would never claim authorship over these images themselves or even copyright over the collection. It's slightly tangental but there's nothing that makes me madder when i'm in an ancient history section of a museum and told i'm unable to take photographs because it's a "copyright issue" when quite often the works were stolen from tombs or burial grounds in the first place.


Another issue i find interesting both with found footage and found photos from the early 1900's is that often people talk about it as presenting a snapshot of everyday life, when infact the prohibitive costs of the medium meant that only the wealthy could really afford to be taking snapshots or home movies and even then, i think the situations where they took the images were quite forced. Which is not to say you don't get a glimpse of the everyday in that, but i don't think the "snapshots" are as random and "everyday" as they later became. An interesting point too, is that as more and more people take up digital photography - the amount of contemporary found photos will probably become rarer i imagine. I seem to recall reading something where (i think it was) the Australian Picture Library were concerned with the rise of digital photography replacing the average family snapshot and that the printing of digital photos was much rarer and done so on paper that was less than archival meant that the historical resources of the future would have greater trouble looking back and taking a snapshot of what average Australians were wearing or how they lived at a certain time. Admittedly i don't think things are quite that dire, but still it's an interesting thought.

As far as organising the archive of Object Not Found, i've mostly left things pretty random, keeping the photos and postcards in their own collections which is how they were given to me or how they were found. But there's no organisation of the photos within those galleries unless they were in an album in which case i'll place them in the rough order that they were in the album - it's something i've thought about over the years, placing the works in a more chronological order or by theme, but it kind of ruins the surprise of what will come next. I often worry too about placing my own little commentary next to photos - maybe it's a little disrespectful and certainly it can be tiring (to read that is) so i've tried to limit this a little in fear of my personal imprint being too large or distracting.

I Like Clare's Dolce Vita Fellini filing story. I sometimes write messages or stories on the back of postcards and put them back in the rack at the cafe, or when getting photos back from the developer, put a photo (that i don't like) under a car windshield wiper thinking that i'm giving something "found" back, when actual fact i'm probably just littering. On a train once i sat down and next to me taped to the window was a drawing of a castle with "for you" written on it. At the time i thought how appropriate, whoever did this would never have realised the person finding it would actually collect this sort of thing and put it on a website. then somehow i managed to lose it.
take care
-d






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